Discover the creation in interiors
Other artworks by mephci - Matthias Egger
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 35.4x23.6in
About this artwork
When I created this image, I thought of people who laugh from ear to ear but no one saw it. If laughter is no longer contagious, what meaning does it have?
This thought-provoking painting invites us to question the nuances of communication and expression. It asks what role laughter plays when it is no longer shared or spreading joy.
"Ears" is more than just a visual experience; it is a reflection on human nature and the need for interpersonal… connection. It is a perfect addition to any art collection and brings depth and meaning to any room.
This thought-provoking painting invites us to question the nuances of communication and expression. It asks what role laughter plays when it is no longer shared or spreading joy.
"Ears" is more than just a visual experience; it is a reflection on human nature and the need for interpersonal… connection. It is a perfect addition to any art collection and brings depth and meaning to any room.
mephci - Matthias Egger
Switzerland
Credentials
- Established Artist
- Local Artist
- Featured in gallery curations
The leaf doesn't cling to it; rather, the tree clings to the leaf, just as we cling to something old to meet the coldness of change that confronts us with something comforting and familiar, even though the old has long wanted to leave us.
The threshold between old and new is somehow inexplicable; something breaks, takes shape, and what emerges carries what was, before it becomes what it is not yet.
The individual parts lose their fixed form, seek attraction, find each other, and ultimately the new unmistakably carries the old within it.
My work moves within moments of collapse, dissolution, and convergence. It doesn't attempt to capture anything, but rather to open up transitions. What crystallizes is perhaps a quiet crackling of existence.
The threshold between old and new is somehow inexplicable; something breaks, takes shape, and what emerges carries what was, before it becomes what it is not yet.
The individual parts lose their fixed form, seek attraction, find each other, and ultimately the new unmistakably carries the old within it.
My work moves within moments of collapse, dissolution, and convergence. It doesn't attempt to capture anything, but rather to open up transitions. What crystallizes is perhaps a quiet crackling of existence.