Discover the creation in interiors
Other artworks by mephci - Matthias Egger
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 39.4x27.6in
About this artwork
The painting "Squares" was born from the fascinating idea: "Circles and squares intertwine with triangles in my mind. Influencing each other, the circles become squares, the squares become triangles and the triangles become circles. Nothing has changed and everything is different."
While creating this image, I wanted to represent the dynamic interaction and constant transformation of forms in our minds. It is a visual play with geometry and perception… that invites the viewer to reflect on the mutability and permanence in our thinking.
"Squares" brings a complex and thoughtful atmosphere to any room and is an enriching addition to any art collection. It challenges the viewer to recognize and appreciate the constant metamorphosis in their own thoughts.
While creating this image, I wanted to represent the dynamic interaction and constant transformation of forms in our minds. It is a visual play with geometry and perception… that invites the viewer to reflect on the mutability and permanence in our thinking.
"Squares" brings a complex and thoughtful atmosphere to any room and is an enriching addition to any art collection. It challenges the viewer to recognize and appreciate the constant metamorphosis in their own thoughts.
mephci - Matthias Egger
Switzerland
Credentials
- Established Artist
- Local Artist
- Featured in gallery curations
The leaf doesn't cling to it; rather, the tree clings to the leaf, just as we cling to something old to meet the coldness of change that confronts us with something comforting and familiar, even though the old has long wanted to leave us.
The threshold between old and new is somehow inexplicable; something breaks, takes shape, and what emerges carries what was, before it becomes what it is not yet.
The individual parts lose their fixed form, seek attraction, find each other, and ultimately the new unmistakably carries the old within it.
My work moves within moments of collapse, dissolution, and convergence. It doesn't attempt to capture anything, but rather to open up transitions. What crystallizes is perhaps a quiet crackling of existence.
The threshold between old and new is somehow inexplicable; something breaks, takes shape, and what emerges carries what was, before it becomes what it is not yet.
The individual parts lose their fixed form, seek attraction, find each other, and ultimately the new unmistakably carries the old within it.
My work moves within moments of collapse, dissolution, and convergence. It doesn't attempt to capture anything, but rather to open up transitions. What crystallizes is perhaps a quiet crackling of existence.