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On materials and technique
Embroidery floss was bought in a local independent shop, and canvases were upcycled from cheap and illegal reproductions of "In the Car" by Roy Lichtenstein, mass-printed in China, and bought at the Polish seaside for 2 PLN each (0,47 Euro). Reaching far back to my first means of intentional visual expression, I rediscovered embroidery, a technique my grandmother taught me. When other kindergarteners used crayons, I was… stitching flowers on a piece of fabric.
On the subject:
Before the phase of infatuation with the West, before succumbing to Christianity, before building the first temple, my ancestors would simply practice mindfulness in the forest. No prayers to an unseen overlord, just appreciation of nature in front of our eyes.
It was essential for me to create the piece without overproducing waste. I reclaimed canvases, painting over pro-consumerism pop art. I reclaimed a technique of my ancestors and the importance of respecting nature.
Michalina Marta Cap is a conceptual artist with a background in filmmaking, screenwriting, and life modelling, deeply influenced by her fascination with art history, poetry, and performance. Her practice spans mediums, but always lets the idea dictate the form, blending science, spirituality, and reflection on her experience as a woman in the 21st century. She skillfully crafts immersive encounters that urge viewers to examine and challenge realities, provoking moments of revelation and awe that stir profound self-recognition and wonder.