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In this piece, the layers of matter unfold like a landscape in transition. The warm upper tones evoke the light and energy of summer, while the blue-gray base provides depth and balance.
During its creation, two roe deer crossed a few meters from the workspace. That moment of unexpected connection with nature became ingrained in the work, reinforcing its character as an offering: a presence that unites earth, movement, and life.
My work stems from a direct relationship with nature, understood as the origin of matter, form, and color.
I work with stones, natural mineral pigments, and handmade paper.
My practice is based on my own manual technique inspired by the Japanese Gyotaku, through which I transfer the imprint of the stone and the earth to the support, preserving its texture and material presence.
The process brings matter and intuitive gesture into dialogue, understanding the work as a record of contact with memory, time, and transformation.
The artistic pieces seek to create spaces for contemplation, inviting us to observe nature from its purest and most ephemeral dimension, as well as to reflect on our relationship with it and the importance of its cycles.
My interest lies in the beauty of the essential and in a practice linked to the origin and authenticity of the materials.