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The artwork appears to be a sharp criticism of the sociopolitical situation at the border. It uses the metaphor of Gomorrah to warn about the self-destruction of modern societies, marked by division (barbed wire), nationalism, and the loss of human identity in the face of political chaos. It is a piece that speaks of corruption, surveillance, and the collapse of moral boundaries
The work appears to be a **scathing critique of the sociopolitical… situation at the border**. It uses the metaphor of Gomorrah to warn of the self-destruction of modern societies, marked by division (the barbed wire), nationalism, and the loss of human identity in the face of political chaos. It is a piece that speaks of **corruption, surveillance, and the collapse of moral boundaries**.
Miroslav de la Torre Kozorez (b. 1992, Cuba) is a visual artist trained at the Vicentina de la Torre Academy of Arts (2008–2011) in Camagüey and at the Higher Institute of Art (ISA) in Havana, Cuba (2015–2023). His work moves between expressionism, surrealism, and informalism, forming a post-romantic style that shifts between abstraction and figuration. He explores themes such as solitude, travel, and the fusion of reality and fantasy, often offering subtle social criticism. His works aim to convey deeply emotional, urgent, and personal narratives, using color as a writer uses words: to move and provoke reflection.