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The Last Supper is my contemporary interpretation of Leonardo's masterpiece. I began working on it in 2022, continuing in alternating phases for several months, in a slow and meditative process. The canvas is prepared with gesso and white acrylic, creating a luminous and neutral base. On top, I layered pure pigments, oil paints, and cold wax, a mixture that gives the surface a texture that absorbs light and creates depth. I love working with these… materials because they allow me to build the painting in layers, allowing marks and transparencies to emerge that tell more than the visible. I maintained the original perspective structure of Leonardo's work, but transformed its light and atmosphere. In my version, the scene is more intimate, collected, and dramatic. The light does not guide, but interrogates. I wanted the viewer to sense the emotional tension of that suspended moment. I did not seek descriptive detail: I let faces and gestures emerge from the material.
Monica Catto, a contemporary impressionist painter with 25 years of experience, blends tradition and innovation in works that explore the dynamics between light and shadow. Rooted in family heritage, she works with oil, acrylic and cold wax, applied with brushes, spatulas and rollers to create textures that capture the viewer. Her creations go beyond landscape and portraiture, becoming emotional reflections that invite a deep awareness of urban evolution and the interiority of the human being. Among her most significant works are the "Leonardeschi", permanently exhibited at the Museo Mostra Leonardo da Vinci in Venice, and a collection of landscapes of the city of Desio, exhibited at Banca BPM in Desio. Monica Catto continues to innovate the impressionist language, creating works that speak to the heart and mind.