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One of many hundreds of drawings of everyday objects, done daily as a continuous training of the eye and hand, usually five or more per day, before starting to paint. When I'm painting I like to focus on colour and tonal relationships mostly, so it's important that my eye is attuned to position the colour correctly. I don't want to have to 'move' the colour around as this destroys its freshness. So, good hand and eye coordination are important… to me when painting. Ideally, I like to place the correct colour, of the correct tone, in the correct place, and not have to change it afterwards, so the better attuned my drawing is the better. Everything in the studio is a suitable subject for drawing, however humble. Braque used to say that for a subject to be considered a 'still life' it has to be within hand's reach', any further away and it becomes a landscape. This is a studio landscape, comprised of everyday objects which move around with use and form part of my familiar landscape.
Kenneth Hay is an accomplished visual artist working across painting, photography, drawing, printmaking, sculpture and digital media, with a richly academic and international background. Ex-Head of Fine Art at the University of Leeds UK and Professor of Aesthetics, Brno, he trained in Leeds, The Accademia in Florence and the University of Wales. As a writer, he publishes widely on art and aesthetics. With Seetha A, he formed Moorland Productions creative collaboration and together they produce joint work, projects and exhibitions. As artists, their work is grounded in figurative traditions but fluidly traverses abstraction, conceptual series, and diverse historical and cultural styles, choosing each medium and visual language to suit specific themes. Their artworks are layered with intellectual rigour and formal beauty, conveying a thoughtful dialectic between content and form, and evoking both curiosity and deep emotional resonance in viewers willing to engage with their complexity.
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