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Mixed media on reclaimed architectural wood (old window / aged wooden panel). Acrylic paint layered over carpet-printed textile remnants, applied through scraping, sealing, and vertical dripping.
Reincarnation is treated here as reuse, not transcendence. The support itself has already lived another function; it carries wear, pressure, and time. The carpet print refers to domestic memory and cultural ornament,… but it appears only as residue—partially buried, partially exposed.
The yellow surface does not symbolize optimism. It acts as a cover, an imposed skin. What is underneath resists being erased and forces itself back through the paint. This is not renewal as progress. It is repetition under constraint: the same structure, altered but never free.
Murad Akbarli, a versatile artist, dips his brushes into mixed media, harnessing traditional and innovative materials alike. His style amalgamates classical and contemporary influences, utilizing dynamic, emotional brushstrokes and intricate layering techniques to create complex textures brimming with depth. Through this, Akbarli endeavors to bridge the tangible with the ethereal, rendering unseen emotion into tangible artwork.