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Celestial Spikes is a sculptural fragment of astral stillness — a biomorphic bowl shaped by hand from recycled paper clay, where surface becomes constellation and form hovers between geology and myth.
Its chalk-white body is textured like mineral crust, shadowed with specks of ember, coal, and blush. Jagged spikes radiate from its rim like stellar thorns or fossilized bursts of light. At once grounded and galactic, it evokes meteorite shells, volcanic… bloom, or offerings left in silence.
Though open like a vessel, it does not hold — it centers. A presence more than an object, it invites tactile pause and quiet observation. Its spiked footing lifts it like a sacred crown or relic risen from dream terrain.
Part of the Spina Terra collection, Celestial Spikes explores rupture as rhythm — where matter becomes memory, and sculpture becomes signal. Not crafted for use, but for resonance.
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.