Terra Rubra — Contemporary Organic Textured Sculpture
Acrylic, Paper
16x11x9in
$3,380
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Natalia Tykhoniuk
Switzerland
Related collection
Dense Light
20 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Other artworks by Natalia Tykhoniuk
Artwork details
- Medium : Acrylic, Paper Without Stand
- Dimensions : Length: 12.6in, Height: 8.3in, Depth: 6.3in
About this artwork
A sculptural vessel born of earth’s ancient memory, Aegis embodies silent strength and a timeless sense of protection. Its biomorphic form conjures coral spires and frozen crystals — organic architectures shaped by millennia, evoking both the fragility and resilience of nature.
Each spike is meticulously handcrafted from layered paper clay, emerging like a fossilized echo of untamed landscapes. The matte, mineral-like surface recalls weathered reefs… and ice-clad cliffs, while the asymmetrical crown casts shifting shadows, bringing a quiet dynamism to any space.
Aegis invites contemplation: its raw, primal energy balanced by refined minimalism. It speaks to the slow forces of growth and erosion, the patient sculpting of time itself. Its presence anchors interiors with an aura of quiet grandeur, offering a moment of stillness amid life’s constant motion.
Aegis does not simply occupy a room — it defines it, holding space with subtle yet commanding presence.
Each spike is meticulously handcrafted from layered paper clay, emerging like a fossilized echo of untamed landscapes. The matte, mineral-like surface recalls weathered reefs… and ice-clad cliffs, while the asymmetrical crown casts shifting shadows, bringing a quiet dynamism to any space.
Aegis invites contemplation: its raw, primal energy balanced by refined minimalism. It speaks to the slow forces of growth and erosion, the patient sculpting of time itself. Its presence anchors interiors with an aura of quiet grandeur, offering a moment of stillness amid life’s constant motion.
Aegis does not simply occupy a room — it defines it, holding space with subtle yet commanding presence.
Natalia Tykhoniuk
Switzerland
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
Natalia Tykhoniuk
Aegis — Sculptural Organic Vessel
$2,290
