Veyra - Sculptural Vessel
Acrylic, Clay
3x4x4in
$1,330
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Natalia Tykhoniuk
Switzerland
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Other artworks by Natalia Tykhoniuk
Artwork details
- Medium : Acrylic, Clay Without Stand
- Dimensions : Length: 7.5in, Height: 13.2in, Depth: 12in
About this artwork
A sculptural vessel formed through accumulation and compression of composite paper clay and natural clay, combined with pigment and acrylic.
The material develops through layering, pressure, and natural drying.
The structure opens into a shallow basin, extending upward from a compact base.
Cracks emerge during drying and integrate within it.
The surface is dense and tactile.
It carries traces of accumulation, compression, and time.
Color is embedded… in the mass — dark brown, oxidized red, ochre, and mineral black.
Internal tension and structural stability remain.
Heat is held as a material trace.
A vertical form.
Matter gathered in a resolved state.
The material develops through layering, pressure, and natural drying.
The structure opens into a shallow basin, extending upward from a compact base.
Cracks emerge during drying and integrate within it.
The surface is dense and tactile.
It carries traces of accumulation, compression, and time.
Color is embedded… in the mass — dark brown, oxidized red, ochre, and mineral black.
Internal tension and structural stability remain.
Heat is held as a material trace.
A vertical form.
Matter gathered in a resolved state.
Natalia Tykhoniuk
Switzerland
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
Natalia Tykhoniuk
Ember II — Sculptural Vessel
$1,310
