Veyra - Sculptural Vessel
Acrylic, Clay
3x4x4in
$1,320
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Natalia Tykhoniuk
Switzerland
Related collection
Formes et forces
16 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Other artworks by Natalia Tykhoniuk
Artwork details
- Medium : Acrylic, Paper Without Stand
- Dimensions : Length: 9.3in, Height: 11.8in, Depth: 11.4in
About this artwork
Verdumbria belongs to the Dust and Silence series, where matter and memory are distilled into sculptural form. Handmade in recycled paper clay — a medium between fragility and endurance — its weathered surface of moss-green, ochre, and deep earth recalls mineral patinas, stone worn by centuries, and the slow rhythm of transformation. It holds the persistence of silence shaped into form.
Its pared-down, archetypal form and uneven rim embody the wabi-sabi… spirit of imperfection and transience. The vessel speaks through simplicity, allowing surface and presence to carry meaning. The texture shifts with light, revealing green shadows and ochre traces, like breathing stone. In this quiet metamorphosis, it becomes both object and interval — a pause carrying presence and reflection.
As a statement piece, Verdumbria enters into dialogue with architecture and atmosphere. Both sculpture and vessel, it grounds interiors with contemplative strength while carrying resilience and memory.
Its pared-down, archetypal form and uneven rim embody the wabi-sabi… spirit of imperfection and transience. The vessel speaks through simplicity, allowing surface and presence to carry meaning. The texture shifts with light, revealing green shadows and ochre traces, like breathing stone. In this quiet metamorphosis, it becomes both object and interval — a pause carrying presence and reflection.
As a statement piece, Verdumbria enters into dialogue with architecture and atmosphere. Both sculpture and vessel, it grounds interiors with contemplative strength while carrying resilience and memory.
Natalia Tykhoniuk
Switzerland
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
Natalia Tykhoniuk
Verdumbria – Sculptural Vessel
$1,540
