Veyra - Sculptural Vessel
Acrylic, Clay
3x4x4in
$1,330
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Natalia Tykhoniuk
Switzerland
Related collection
everything is in everything else
15 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Other artworks by Natalia Tykhoniuk
Artwork details
- Medium : Acrylic, Clay Without Stand
- Dimensions : Length: 8.7in, Height: 11in, Depth: 10.2in
About this artwork
This vessel holds silence as depth.
Its form is compact and weighted, carrying pressure and containment within a single volume.
The surface records material accumulation.
Layers settle through time, compression, and material resistance.
Traces remain embedded, forming a dense skin shaped by duration and gravity.
Dark mineral tones evoke depth and obscurity.
Subtle shifts in color suggest sediment, stone, and submerged matter.
Light reveals quiet… variations, while shadow absorbs detail into mass.
It carries weight, endurance, and material presence without narrative.
Surface irregularities remain visible as evidence of process and time.
Created in the spirit of wabi-sabi and Arte Povera, the work is formed from a blend of natural clay and paper clay, allowing material and time to determine its final state.
Its form is compact and weighted, carrying pressure and containment within a single volume.
The surface records material accumulation.
Layers settle through time, compression, and material resistance.
Traces remain embedded, forming a dense skin shaped by duration and gravity.
Dark mineral tones evoke depth and obscurity.
Subtle shifts in color suggest sediment, stone, and submerged matter.
Light reveals quiet… variations, while shadow absorbs detail into mass.
It carries weight, endurance, and material presence without narrative.
Surface irregularities remain visible as evidence of process and time.
Created in the spirit of wabi-sabi and Arte Povera, the work is formed from a blend of natural clay and paper clay, allowing material and time to determine its final state.
Natalia Tykhoniuk
Switzerland
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
Natalia Tykhoniuk
Tiefe (sculptural vessel)
$1,650
