Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Mountain in Prayer
Papier-mâché wall sculpture
on presence, silence and inner landscapes
This piece comes from a state of contemplation. I think of it as a quiet inner place, like being in a mountain, observing, not reacting.
Two figures sit on a sofa, but the boundary between body and object dissolves. The sofa is no longer just everyday furniture; it becomes part of the body, existing between the familiar and the symbolic.
In this work, I reflect… on a shared condition where opposites coexist. Day and night, sun and moon, happening at the same time in different places, yet still connected. A reminder that we are part of a larger whole.
Made in papier-mâché, the piece is built in layers and designed for the wall. It carries both fragility and structure, inviting a moment of pause and presence.
Natasha Faria is a self-taught Brazilian artist based between Portugal and Brazil, specializing in papier-mâché as a contemporary sculptural medium. She employs slow, process-driven techniques of layering and accumulation, shaped by organic forms, subtle textures, and a balance between structure and softness. Her work explores memory, identity, and transformation, evoking both protection and vulnerability, and inviting viewers to experience a profound pause and intimate connection with the unseen aspects of life.
Since 1996, papier-mâché has been at the core of her research, approached not as a craft technique but as a conceptual and expressive medium. By transforming discarded matter, she constructs poetic structures where fragility and resilience coexist, affirming recycling as an act of continuity and reinvention. The works invite contemplation and a suspension of time.