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Ngo
France
Artist highlights
- Works on commission
Discover the creation in interiors
Other artworks by Ngo
Artwork details
- Medium : Oil on Paper
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 39.4x27.6in
About this artwork
65X100CM
In this oil painting, I wanted to capture the fragility and solitude of human existence. The shadows and blurred outlines suggest profound introspection, almost a silent whisper. It will bring an atmosphere of reflection and emotion to your home, a poetic breath that invites intimate contemplation.
In this oil painting, I wanted to capture the fragility and solitude of human existence. The shadows and blurred outlines suggest profound introspection, almost a silent whisper. It will bring an atmosphere of reflection and emotion to your home, a poetic breath that invites intimate contemplation.
Ngo
France
Credentials
- Works on commission
"Of paint and water"
Lucas Ngo's figures are always on the verge of dissolving, melting, becoming something else. Rarely named, his models are already ghosts, ghostly boys whose body parts are already erased or in reserve. Here an arm is missing, there the legs, part of the head. This is partly the effect of framing, perhaps a play of contrast between light and shadow, but it is all the more visible because the rest of the body is drawn. The contour work that tames the color fades in places and becomes porous; thus the body becomes sensation, and above all, a state of being. Using oil in a singular way, on canvas or paper but always with the addition of water, he suggests a troubled surface. The drips have this in common with emotions that can only be provoked and not controlled. In a paradoxical way, Lucas Ngo offers portraits that elude the gaze (...)." Henri Guette
Lucas Ngo's figures are always on the verge of dissolving, melting, becoming something else. Rarely named, his models are already ghosts, ghostly boys whose body parts are already erased or in reserve. Here an arm is missing, there the legs, part of the head. This is partly the effect of framing, perhaps a play of contrast between light and shadow, but it is all the more visible because the rest of the body is drawn. The contour work that tames the color fades in places and becomes porous; thus the body becomes sensation, and above all, a state of being. Using oil in a singular way, on canvas or paper but always with the addition of water, he suggests a troubled surface. The drips have this in common with emotions that can only be provoked and not controlled. In a paradoxical way, Lucas Ngo offers portraits that elude the gaze (...)." Henri Guette
Ngo
C.
$1,300
