Buy with confidence
Free shipping & returns
Shipping and customs included. 30 day free returns
Certificate of authenticity
Signed and included with every artwork
Framing
Make your artwork stand out
Customers rate Singulart 4.9/5
Singulart is rated 4.9/5 by over 20,000 customers
Olya Hill
United States
Related collection
Resolving Tension
18 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Olya Hill
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 52x36in
About this artwork
The red, strikingly, is not expression. It is an imposition. It sits on top of the body rather than emerging from it. The identity here is applied, not inhabited.
The face in red almost functions like a mask that never fully aligns with the blurred figure behind. The body remains ambiguous, but the features are exaggerated, externalized. It feels like identity constructed through perception rather than self-authorship.
The duplication across the… series reinforces that. The gaze, the mouth, all are fragmented. In almost anatomical disassembly, the self becomes a site of projection.
There’s also a political undertone in this piece.
The female body is obscured, softened, while the defining features are aggressively painted over it. It suggests societal scripting : identity as something pressed onto the surface.
The red reads as force. Surveillance. Cultural expectation. The tension is a structural pressure. There is no vulnerability in such space. Just control.
The face in red almost functions like a mask that never fully aligns with the blurred figure behind. The body remains ambiguous, but the features are exaggerated, externalized. It feels like identity constructed through perception rather than self-authorship.
The duplication across the… series reinforces that. The gaze, the mouth, all are fragmented. In almost anatomical disassembly, the self becomes a site of projection.
There’s also a political undertone in this piece.
The female body is obscured, softened, while the defining features are aggressively painted over it. It suggests societal scripting : identity as something pressed onto the surface.
The red reads as force. Surveillance. Cultural expectation. The tension is a structural pressure. There is no vulnerability in such space. Just control.
Olya Hill
United States
Credentials
- Featured in gallery curations
- Works on commission
Olya Hill, an accomplished painter and photographer, employs acrylics, oil, and mixed media in her creations. She meticulously studies color interaction, using abstract techniques to highlight their effects and the vibrations they emit. Her pieces, more than mere paintings, yearn to connect, inspire, and heal the viewer's soul, illustrating a universe beyond words.
Olya Hill
IMPOSED IDENTITY
$11,980
