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Pascale White
France
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic, Pastel on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 23.6x23.6in
About this artwork
This original work using the acrylic technique is hand painted on raw linen canvas stretched on stretcher and is one of the last portraits of the contemporary artist Pascale White.
This work is unique, there is no impression. It was painted in France, it is varnished and is personally signed by the artist. It is a child's face pouting "Kid pouting", a figurative portrait made from photos, painted with a brush and a spatula, of pop art influence.… For this series of portraits, the artist has chosen to keep the background in raw linen canvas which has been varnished. The work is sold ready to hang.
This work is unique, there is no impression. It was painted in France, it is varnished and is personally signed by the artist. It is a child's face pouting "Kid pouting", a figurative portrait made from photos, painted with a brush and a spatula, of pop art influence.… For this series of portraits, the artist has chosen to keep the background in raw linen canvas which has been varnished. The work is sold ready to hang.
Pascale White
France
Credentials
- Featured in gallery curations
- Works on commission
« I define myself as a researcher of emotions. »
I define myself as an “emotion seeker”.
What I like: above all the color, ... but also the material, the texture!
Whatever my starting subject, I like to seize the moment, to associate the spontaneity of the gesture with the will to tame the material. I use pure or saturated color in wash... I let it circulate, I apply layers upon layers, I scrape, I search, I do not control everything that happens.... and finally I find.
My universe oscillates between figuration and abstraction, using pigments, ink, acrylic and/or watercolor which allow me fluidity and real freedom in my work, a work of superpositions of materials and colors which is constantly evolving.
What I like: above all the color, ... but also the material, the texture!
Whatever my starting subject, I like to seize the moment, to associate the spontaneity of the gesture with the will to tame the material. I use pure or saturated color in wash... I let it circulate, I apply layers upon layers, I scrape, I search, I do not control everything that happens.... and finally I find.
My universe oscillates between figuration and abstraction, using pigments, ink, acrylic and/or watercolor which allow me fluidity and real freedom in my work, a work of superpositions of materials and colors which is constantly evolving.
