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Atchô (fashion in French) is a work whose texture and structure refer to the legendary pythons that protected King Kpassè in the sacred forest of Kpassè, in Ouidah. Through this evocation, the work reminds the Xwédas of their cultural and spiritual origins.
Created using the Cut and Paste technique (rubber glued to burlap), the work is directly inspired by the scarification process in Africa. Its pronounced texture and composition reflect intense… manual work, reflecting a profound connection between the body, memory, and identity.
In a world shaped by globalization, Atchô embodies an encounter between tradition and modernity, establishing a symbolic bridge between the past, the present and the future.
The work was first presented in 2024 at the Swiss Art Expo in Zurich, after being selected by the jury of ARTBOX.PROJECT Zürich 6.0 by ARTBOX.GROUPS GmbH. It will be exhibited at the Los Angeles Art Show in 2026.
Beninese visual artist Paterne Dokou explores painting, sculpture, photography, and textiles, drawing on a rich self-taught and academic background. His Cut and Paste technique combines Xwéda scarification, recycled materials (rubber, burlap), and a cutting and collage gesture evoking traces and repair. Through his profound, hybrid style, he weaves powerful narratives about memory, identity, and collective resilience, conveying an intense emotion of dialogue between past and present, tradition and modernity, without ever forgetting ecological responsibility.