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In this series I explore Kintsugi not merely as a metaphor for repair, but as a creative act in which cracks become the beginning of new narratives. Digital space allows me to liberate form from material constraints, experimenting with the fluidity of lines, the luminosity of colours, and the illusion of depth. The golden lines — which in Kintsugi symbolise repair — become here a creative gesture: at once uniting and tearing apart.
I am not striving… for realistic representation, but for capturing the emotions and ideas that Kintsugi evokes: fragility, renewal, beauty in imperfection.
Each work is an invitation to dialogue between the viewer and the form. Through abstraction and digital tools, I create images that exist at the intersection of reality and imagination, provoking reflection on how we perceive and assign meaning. My Kintsugi is not ceramics — it is light, line, and space: a new reality born in the creative process.
Patrycja Sprada, with formal training from The Strzemiński Academy of Fine Arts in Łódź, masterfully intertwines traditional painting with digital art, graphic design, and photography. Her techniques range from abstraction and surrealism to clean graphic signs, using mostly digital mediums to distill reality into emblematic forms. She explores conceptual themes like the emotional core of moments, especially through her Kintsugi-inspired series, where light, line, and color create new realities. Her work radiates a quiet yet profound intensity, inviting viewers to rediscover the hidden layers of their own emotions within her autonomous, evocative images.