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Paul Hazelton
United Kingdom
Related collection
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429 pieces
Artist highlights
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Pencil on Paper , Synthetic board under glass
- Framing : Framed
- Dimensions : 6.7x6.7in
About this artwork
This little drawing represents a very special relationship.
"Paul Hazelton’s drawings proffer a quiet sadness at the final gasp of an endangered species." - "a tiny, complex sketch of the last surviving male white rhino, which died in March this year. This intricate drawing is crisscrossed with fine geometric patterns so that you have to lean in and squint to pick out the ailing animal and his attentive keeper." Review by Emily Spicer, Elephant.Art…
"Paul Hazelton, contributes a pair of beautiful drawings so small, you need to press your nose against them to decipher them. One shows Dürer’s famous rhinoceros in a ghostly distance. The other remembers Sudan in his final moments." Review by Waldemar Januszczak, The Sunday Times
Float mounted in black box frame: 30 x 30cm
"Paul Hazelton’s drawings proffer a quiet sadness at the final gasp of an endangered species." - "a tiny, complex sketch of the last surviving male white rhino, which died in March this year. This intricate drawing is crisscrossed with fine geometric patterns so that you have to lean in and squint to pick out the ailing animal and his attentive keeper." Review by Emily Spicer, Elephant.Art…
"Paul Hazelton, contributes a pair of beautiful drawings so small, you need to press your nose against them to decipher them. One shows Dürer’s famous rhinoceros in a ghostly distance. The other remembers Sudan in his final moments." Review by Waldemar Januszczak, The Sunday Times
Float mounted in black box frame: 30 x 30cm
Paul Hazelton
United Kingdom
Credentials
- Works on commission
« As dust settles upon a given surface it begins to transform that surface into a kind of drawing. When I make a dust sculpture I am lifting that drawing and reshaping it. »
Paul Hazelton’s fascination with dust originated from a deprivation from these often unappreciated forms of matter. Brought up in a pristine home, the British visual artist was only allowed to draw with a pencil in the sterile setting of a covered table, where even the dust of his graphite pencil were swiftly rubbed and cleaned away. These forbidden particles would later preoccupy his practice.
