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David and The Dying Slave, V&A Museum, Cast Court.
Platinum-Palladium 11x15 inch print on Arches Platine paper, with the image area 7 3/4 x 9 3/4 inch.
Four deckled edges allow float mount for the display of the whole print. Signed, stamped and numbered - verso (back) and accompanied by a certificate of authenticity.
1870's plaster cast replicas of Michelangelo's sculptures from the collection of the Victoria & Albert Museum in London.
Platinum/… palladium prints are one of the most beautiful, desirable, and permanent types of photographic prints.
Platinum prints are the most stable photographic printing process, with the print lasting as long as the paper it is printed on. In the case of the Arches Platine paper, it can last for more than 1000 years.
Pawel Libera is a visual artist bridging historical photographic processes with contemporary vision. His work blends pictorialism and modernism, balancing atmospheric emotion and precise detail. Libera specializes in alternative historic processes, particularly platinum-palladium printing, creating images of exceptional depth and luminosity. Through labor-intensive techniques, including cyanotype over platinum-palladium and kallitype, he produces artifacts that speak to time's passage and art's enduring nature. Libera's subjects range from serene landscapes to studies of man-made structures, inviting reflection. His use of historic processes creates a dialogue between past and present, challenging perceptions and viewers' relationships with images in the digital age. His unique voice in fine art photography is characterized by exceptional tonal range, subtle gradations, and archival permanence, pushing boundaries while honouring tradition.
David and The Dying Slave, Platinum-Palladium Print
$1,100
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David and The Dying Slave, Platinum-Palladium Print
Pawel Libera
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