Artwork details
- Medium : Collage on Paper , Cardboard
- Framing : Framing on request
- Dimensions : 78.7x137.8in
About this artwork
2017. ‘12 Disciples.’
12-part series of spatial collages about Religion and war. This work consists of 2 parts 'religion' and 'war'. Each part has 6 works.
The images for this 12-part series come from the book "The Second World War" and the book ‘Thoughts in stone’ (1946) and Koorbanken in Nederland’ (1946) by Martien Coppens. Each panel 100 x 50 x 12 cm. Polystyrene, adhesives, paper and book illustrations.
I. Interior I
II. Interior II
III. Overwhelming…
IV. The hand
V. Watching
VI. Angels
VII. Faces
VIII. Fighting
IX. More fighting
X. Destroying
XI. In the air and on the sea
XII.Victims.
12-part series of spatial collages about Religion and war. This work consists of 2 parts 'religion' and 'war'. Each part has 6 works.
The images for this 12-part series come from the book "The Second World War" and the book ‘Thoughts in stone’ (1946) and Koorbanken in Nederland’ (1946) by Martien Coppens. Each panel 100 x 50 x 12 cm. Polystyrene, adhesives, paper and book illustrations.
I. Interior I
II. Interior II
III. Overwhelming…
IV. The hand
V. Watching
VI. Angels
VII. Faces
VIII. Fighting
IX. More fighting
X. Destroying
XI. In the air and on the sea
XII.Victims.
Peter Spaans
Netherlands
Credentials
- Major permanent collection
- Established Artist
- Works on commission
Peter Spaans is an established Dutch artist with international exposure and a history of artist residencies. Working across mediums, Spaans reinterprets ordinary cityscapes through a mixture of photography, collage, painting, and mixed media sculpture. He has worked with high profile curators such as Okwui Enwezor, Hou Hanru, and Jan Hoet, and collaborated with artists like
Hans Eijkelboom and Bert Wils. His complex and reimagined artworks are unique worlds in and of themselves, inciting curiosity in the viewer.
Hans Eijkelboom and Bert Wils. His complex and reimagined artworks are unique worlds in and of themselves, inciting curiosity in the viewer.