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I called it nocturnal, because between the two expressive ones you can find the shape of an owl with its eyes closed and its wings folded up to its belly.
The two characters found at the ends are simple expressions or grimaces that can be derived from an emotion.
Philippe Berthot, a self-taught painter and sculptor since 1998, has a background shaped by international encounters. For the past ten years, he has primarily explored charred wood and gold leaf, while also blending design and artistic practices. He experiments freely in a creative "laboratory," merging art, nature, and animals with a touch of humor and poetry. His unique style elevates the material and aesthetically denounces the suffering inflicted on nature, seeking to illuminate and poeticize everyone's living space.