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Rafaela de Campos
Denmark
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Acrylic, Oil on Paper
- Framing : Framing on request
- Dimensions : 12x8.1in
About this artwork
These works explore form as something in the process of becoming. Structures are assembled, shifted and reconfigured, allowing forms to emerge through layering, movement and interaction. Color, fragment and gesture introduce a more fluid dynamic, where elements connect, separate and reorganize. The compositions move between stability and growth, suggesting structures that are not fixed, but continuously forming. Rather than defined objects, they…
exist in transition, shaped through process, memory and change. This artwork is made in Fabriano Tiepolo paper 290grs - fint/elfenben - Made of 100% cotton according to ISO 9706 standards "LONG LIFE". It is acid free, which guarantees permanence to ageing.
Rafaela de Campos
Denmark
Credentials
- Featured in gallery curations
- Works on commission
I explore form, memory and the body through print, painting and collage.
I am a Brazilian artist, currently based in Copenhagen, shaped by living in Brazil, Stockholm, Paris and London. Moving between places continues to inform how I see, gather and construct images. I work through action, cutting, layering, pressing, assembling, allowing forms to emerge before I fully understand them. The work begins in action, before it can be named. I return to the work with questions: about memory, about the body, about what remains and what resists being held. Fragments repeat, shift and reorganize, forming structures that move between landscape and figure. My practice exists in this tension, between instinct and reflection, construction and collapse. The work does not seek resolution, but stays with what is in transition.
I am a Brazilian artist, currently based in Copenhagen, shaped by living in Brazil, Stockholm, Paris and London. Moving between places continues to inform how I see, gather and construct images. I work through action, cutting, layering, pressing, assembling, allowing forms to emerge before I fully understand them. The work begins in action, before it can be named. I return to the work with questions: about memory, about the body, about what remains and what resists being held. Fragments repeat, shift and reorganize, forming structures that move between landscape and figure. My practice exists in this tension, between instinct and reflection, construction and collapse. The work does not seek resolution, but stays with what is in transition.
