Customers rate Singulart 4.9/5
Singulart is rated 4.9/5 by over 20,000 customers
Rafaela de Campos
Denmark
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Monotype on Paper
- Framing : Framing on request
- Dimensions : 16.7x5.9in
About this artwork
These works explore form as something constructed rather than fixed. Fragments are cut, layered and repositioned, forming bodies that exist between stability and transformation. The black and white prints introduce a raw, tectonic quality,marked by pressure, erosion and trace. They form a dialogue between weight and lightness, control and intuition, where the body is not defined, but continuously assembled. This artwork is made on Fabriano Tiepolo…
paper 290grs - fint/elfenben - Made of 100% cotton according to ISO 9706 standards "LONG LIFE". It is acid free, which guarantees permanence to ageing.
Rafaela de Campos
Denmark
Credentials
- Featured in gallery curations
- Works on commission
I explore form, memory and the body through print, painting and collage.
I am a Brazilian artist, currently based in Copenhagen, shaped by living in Brazil, Stockholm, Paris and London. Moving between places continues to inform how I see, gather and construct images. I work through action, cutting, layering, pressing, assembling, allowing forms to emerge before I fully understand them. The work begins in action, before it can be named. I return to the work with questions: about memory, about the body, about what remains and what resists being held. Fragments repeat, shift and reorganize, forming structures that move between landscape and figure. My practice exists in this tension, between instinct and reflection, construction and collapse. The work does not seek resolution, but stays with what is in transition.
I am a Brazilian artist, currently based in Copenhagen, shaped by living in Brazil, Stockholm, Paris and London. Moving between places continues to inform how I see, gather and construct images. I work through action, cutting, layering, pressing, assembling, allowing forms to emerge before I fully understand them. The work begins in action, before it can be named. I return to the work with questions: about memory, about the body, about what remains and what resists being held. Fragments repeat, shift and reorganize, forming structures that move between landscape and figure. My practice exists in this tension, between instinct and reflection, construction and collapse. The work does not seek resolution, but stays with what is in transition.
