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In this suspended scene, I try to superimpose the visual lexicon of noir comics to a reflection on the perception of the narrative image. Eva Kant and Diabolik, pop icons of the Italian imagination, inhabit a bourgeois interior crystallized in time: every gesture, every word takes on a symbolic weight. The aesthetics of serial printing between halftones and flat colors, evokes Lichtenstein but is charged with a different, more melancholic and analytical… intention. The work thus becomes a meta-narrative device, which questions the threshold between fiction, memory and representation, restoring to comics the dignity of a visual and cultural archetype.
My name is Reginaldo Albanese, professionally known as errealbanese. My artistic research explores the relationship between the sacred, identity, and image in an era in which the face no longer represents the individual, but rather the collective myth. I use digital technology as a revelatory medium: each work does not describe reality, but the fracture that generates it. I work in one-off editions on Dibond metal with a museum-quality plexiglass finish, and in some cases on wood with acrylic accents. My main series—Traghettamenti, Ritratti Impossibili, In Principio C'era il Corpo, Bang Fumetti d'Autore, Frammenti Sacri, Sovranità, and Maschere—explore the face as an icon, not an identity. I exhibit on Singulart with collectors in Europe, America, and Asia. I was selected for 100 Artists of Italy 2025 and awarded as a UK Artist—Top 10 London, with publication in L'Espresso. I believe that art does not reproduce the world: it questions it and re-establishes it.