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If we imagine the future, knowing that the past is always repeated, again we will arrive at the age of a collective utopia.
The positions of woman and the islands, as well as of those who believe in utopia, will remain on the margins.
In the future, when they find these photographs that link a woman in a landscape with a technical drawing of a sunken ship Vis and nautical signs of an exact geographic location, they will be able to think that they… have found solid artefacts about an era or a territory. This will teach them nothing, it will not stop wars, the oppression of people will not cease, freedom of thought and speech will not yet be completely effective, but some of them, those a little more humanistically oriented, will, with the certainty that only emotions can provide, claim that this was a happy era, at least in its idea.
Renata Poljak is a visual artist from Croatia who works across film, video, photography, collage, drawing, neon, sound, and multimedia installation, deeply informed by her roots and extensive international background. She employs narrative, poetic ambiguity, and layered visual storytelling, often centered on motifs of the sea and islands to evoke immersive, cinematic experiences. Her technique skillfully interweaves memory, longing, and presence within open-ended, multisensory environments. Through her deeply poetic explorations, she conjures profound emotions of fragility, resilience, and the tension between intimacy and universality, inviting viewers into rich spaces of empathy and contemplation.