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La obra parte de dos momentos muy distintos: una escena doméstica de los años cuarenta y una imagen actual en la que varias personas piden comida. A partir de esta superposición temporal, establece un diálogo entre pasado y presente que invita a reflexionar sobre la persistencia del conflicto, la construcción de relatos binarios y la pérdida de la memoria histórica, poniendo en evidencia la… fragilidad de la frontera entre los tiempos de paz y los de guerra, y abriendo un espacio de reflexión y debate en torno a la dificultad de situar la vida y la alteridad en el centro.
"El arte es una aventura en un mundo desconocido, diferente para cada persona"
Richard Martin
Maya
P.D. Para reducir la huella de CO₂, la obra se entrega enrollada.
Bastidor más marco de roble tipo caja americana disponible con coste adicional.
Born in Zurich, Switzerland, in 1968, Richard Martin explores in his work identity, memory and the dialogue between image and thought. A perspective situated between two ways of understanding the world: one linked to a nomadic, intuitive and symbolic sensibility, and another rooted in European tradition. This crossing of heritages places his work in an in-between space from which his artistic language emerges.
From this “no-place”, his work incorporates interconnection as a structure of the world. The curve, central to his visual language, does not describe reality: it connects it, generating meaning between the personal and the collective. His works are present in private collections in the United States and Europe.
He studied at the Escola Superior de Disseny i Art Llotja in Barcelona and later expanded his education in Exact Sciences, Humanities, Communication and Fine Arts.
“Art is an adventure in an unknown world, different for every person.” Richard Martin Maya