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This canvas has a double intention. The first of them is to encourage drawing and creating through the plastic arts.
Leaving aside, the idea of "drawing well" involves representing our environment realistically. In art there are no rules and most of the artists known today as the Impressionists were born thanks to believing in them and trying hard. The plastic arts are a driving force in reinforcing self-esteem.…
Curiously, many children want to draw like adults and we adults pursue drawing like them. Perhaps both are important and necessary. The academic and the imagination.
Born in Zurich, Switzerland, in 1968, Richard Martin explores in his work identity, memory and the dialogue between image and thought. A perspective situated between two ways of understanding the world: one linked to a nomadic, intuitive and symbolic sensibility, and another rooted in European tradition. This crossing of heritages places his work in an in-between space from which his artistic language emerges.
From this “no-place”, his work incorporates interconnection as a structure of the world. The curve, central to his visual language, does not describe reality: it connects it, generating meaning between the personal and the collective. His works are present in private collections in the United States and Europe.
He studied at the Escola Superior de Disseny i Art Llotja in Barcelona and later expanded his education in Exact Sciences, Humanities, Communication and Fine Arts.
“Art is an adventure in an unknown world, different for every person.” Richard Martin Maya