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In this work, the artist undertakes the adventure of shaping the nature of the human being, a journey to the complexity of the personal self through the use of a symbolic language that invites the viewer to interpret the canvas without conditioning.
In the creative process, the author begins an introspective analysis that allows him to capture his reality and identity through a corpus of symbols… that the observer, with his gaze, decodes to create one of his own and personal, the meaning of which only he knows and what define. In this way, the personal vision of the author is the starting point because as many different visions and perceptions arise as observers contemplate the pictorial image.
The curved line, the common thread of the artist's "curvy" aesthetic, and color always signify and structure the composition as a dynamic whole, in constant movement, where each of the elements are interconnected.
Born in Zurich, Switzerland, in 1968, Richard Martin explores in his work identity, memory and the dialogue between image and thought. A perspective situated between two ways of understanding the world: one linked to a nomadic, intuitive and symbolic sensibility, and another rooted in European tradition. This crossing of heritages places his work in an in-between space from which his artistic language emerges.
From this “no-place”, his work incorporates interconnection as a structure of the world. The curve, central to his visual language, does not describe reality: it connects it, generating meaning between the personal and the collective. His works are present in private collections in the United States and Europe.
He studied at the Escola Superior de Disseny i Art Llotja in Barcelona and later expanded his education in Exact Sciences, Humanities, Communication and Fine Arts.
“Art is an adventure in an unknown world, different for every person.” Richard Martin Maya