La Bellezza della Natura
Digital on Paper
20x28in
$320
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Romina Petrini
Italy
Artist highlights
- Established Artist
- International Exposure
- Works on commission
Discover the creation in interiors
Other artworks by Romina Petrini
Artwork details
- Medium : Charcoal on Paper
- Framing : Framing on request
- Dimensions : 13.8x19.7in
About this artwork
“The rich's paradise is made of the hell of the poor.”
Victor Hugo, The Man Who Laughs (1869)
•
Victor Hugo
The Laughing Man
Book Overview
Published in the spring of 1869, this novel by Hugo was written during the exile he endured for his political beliefs. The story of a child abandoned on the English coast, who grows up to suffer a facial disfigurement that forces his face into a grimace resembling that of a perpetual laugh, is the starting… point for the author's realistic portrayal of English customs and some of the distinctive elements of Anglo-Saxon culture: the parasitism of the nobility, the extreme poverty of the lower classes, the lacerating contrast between nobles and subjects. 'The Man Who Laughs' is a penetrating metaphor for the individual who, without the power to choose, is forced to appear happy on the outside while suffering terribly on the inside, due to a society...
Victor Hugo, The Man Who Laughs (1869)
•
Victor Hugo
The Laughing Man
Book Overview
Published in the spring of 1869, this novel by Hugo was written during the exile he endured for his political beliefs. The story of a child abandoned on the English coast, who grows up to suffer a facial disfigurement that forces his face into a grimace resembling that of a perpetual laugh, is the starting… point for the author's realistic portrayal of English customs and some of the distinctive elements of Anglo-Saxon culture: the parasitism of the nobility, the extreme poverty of the lower classes, the lacerating contrast between nobles and subjects. 'The Man Who Laughs' is a penetrating metaphor for the individual who, without the power to choose, is forced to appear happy on the outside while suffering terribly on the inside, due to a society...
Romina Petrini
Italy
Credentials
- Established Artist
- International Exposure
- Works on commission
Romina Petrini's Art Pedagogy is a profound integration of academic excellence and militant ethics, inspired by Janusz Korczak. Her approach transforms painting into a manifesto that places the sacredness and rights of children at its core.
The roots of his art lie in the teachings of two great masters: Patrizio Moscardelli, from whom he learned the use of material and strong lines as languages of resistance and memory; and Cesare D'Antonio, who shaped his sensitivity to "beauty," understood as a universal ethical value and not an aesthetic goal.
Petrini's is a pedagogy of active memory: the paintbrush becomes an instrument of justice to give childhood a voice, placing the child back at the center of the cosmos as a free and immortal being.
The roots of his art lie in the teachings of two great masters: Patrizio Moscardelli, from whom he learned the use of material and strong lines as languages of resistance and memory; and Cesare D'Antonio, who shaped his sensitivity to "beauty," understood as a universal ethical value and not an aesthetic goal.
Petrini's is a pedagogy of active memory: the paintbrush becomes an instrument of justice to give childhood a voice, placing the child back at the center of the cosmos as a free and immortal being.
