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Other details :
Unmounted artwork. Mounting and/or framing available on request.
Dimensions :
11.8x8.3in
About this artwork
A skeletal body stands out in the pictorial space like an icon, both primitive and contemporary. The figure, traversed by clear, almost ritualistic white lines, seems to dance or invoke, suspended between life and dissolution. The line is instinctive, direct, deliberately imperfect: a language reminiscent of street art and the urgency of the gesture.
The dark, textured background amplifies the contrast with the body, while the green, blue, and red… fields evoke a symbolic, unstable, almost post-human landscape. Architectural and natural elements coexist without any real perspective, like fragments of urban and territorial memory.
The work reflects on the themes of identity, the fragility of the human being, and the resistance of the body as a political and cultural symbol. The skeleton is not only death, but structure, root, what remains when all the superfluous collapses. It is a figure that denounces, yet at the same time survives.
A work that combines the pictorial gesture.
Rosario Annunziata is an Italian painter born at the foot of Mount Vesuvius, a land where history continues to burn beneath the surface and art becomes a necessity of expression. His work combines gestural energy and primitive signs, between abstraction and figuration, rooted in Neapolitan culture and the archaic symbols of the Mediterranean. Through textured, layered surfaces, charged with color, he constructs an intense yet silent social commentary, capturing the restlessness of contemporary man. Broken faces, crosses, volcanoes, and totemic animals emerge as recurring elements, evoking identity, memory, and resistance. Influenced by Basquiat, De Kooning, and the language of urban graffiti, he transforms gesture into language and painting into emotional tension. He lives and works in Campania, where he combines his artistic practice with teaching.
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Vesuviano
Rosario Annunziata
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