Discover the creation in interiors
Artwork details
- Medium : Oil on Linen
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 27.6x27.6in
About this artwork
Mourning, for strange reasons involve, for many, coming together and having meals together even when one has no appetite. This painting was painted during a period of great mourning. Grief forces close introspection and demands time and patience.
The painting is in a square format but within the four edges, circles and ellipses rule the composition as if each figure seated around the round table is in turn going through the darkness of mourning.… The dessert being served are sweet sesame dumplings in a sweet ginger soup. This is a sweet delicacy that is appreciated by many. The contrast of the white sweetness of the dumpling in the pitch dark colored ginger liquid as well as the black core of the dumplings seems a very appropriate metaphor for mourning.
RIP sweet childhood memories.
The painting is in a square format but within the four edges, circles and ellipses rule the composition as if each figure seated around the round table is in turn going through the darkness of mourning.… The dessert being served are sweet sesame dumplings in a sweet ginger soup. This is a sweet delicacy that is appreciated by many. The contrast of the white sweetness of the dumpling in the pitch dark colored ginger liquid as well as the black core of the dumplings seems a very appropriate metaphor for mourning.
RIP sweet childhood memories.
Roy Forget
France
Credentials
- Group shows participant
- Established Artist
- International Exposure
- Solo shows participant
- Works on commission
« Follow the path that leads to nowhere. »
Roy Forget is an experienced artist based in France whose paintings have been exhibited nationally and in the United States. He describes his works as a way to contemplate the world he lives in, putting a painterly order into it. Forget's diverse compositions center around the human figure. Not satisfied with the cursory symbolism of the human form, he endeavors to find its weight and its presence.