Kisses beneath the sirens
Digital on Paper
24x18in
$1,440
Framing
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Sahar Vatanz
United Kingdom
Related collection
CITY SPELLS
22 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Sahar Vatanz
Artwork details
- Printing : Digital on Paper
- Framing : Framing on request
- Dimensions : 23.6x17.7in
- Edition : 20 / 20
About this artwork
“What the silence knows is not absence, but presence, heavy, unspoken, and always there. It is the weight between us, the truths we carry without words, and the ache that lingers where sound once was. In silence, we confront the raw shape of ourselves.”
Sahar Vatanz
United Kingdom
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Nothing you see in my photographs exists, yet none of it is fake.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
Sahar Vatanz
What the silence knows
$1,440
