focus, I am right here
Digital on Paper
6x8in
$550
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Sahar Vatanz
United Kingdom
Related collection
Contemporary English artists
28 pieces
Don't delay, there is 1 collector who is also interested in this work
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Sahar Vatanz
Artwork details
- Printing : Digital on Paper under glass
- Framing : Framed
- Dimensions : 11.8x8.3in
About this artwork
In this piece, I poured raw vulnerability and restless energy into every blurred movement. It's a digital dance of emotions, capturing the chaos within, like a soul reaching out in silence. When placed in your space, it will breathe a mesmerizing tension—evoking introspection and the beauty of being unseen yet yearning to be heard.
Sahar Vatanz
United Kingdom
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Nothing you see in my photographs exists, yet none of it is fake.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
Sahar Vatanz
can someone hear me?
$1,240
