can someone hear me?
Digital on Paper
12x8in
$1,220
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Sahar Vatanz
United Kingdom
Related collection
Camera
27 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Sahar Vatanz
Artwork details
- Printing : Digital on Paper under glass
- Framing : Framed
- Dimensions : 5.9x7.9in
About this artwork
In this piece, I captured an ethereal figure emerging from deep shadows, evoking mystery and introspection. Using digital photography, I explored the delicate balance between light and darkness, inviting viewers to find strength within uncertainty. This artwork radiates a haunting energy that will spark curiosity and contemplative calm in any space.
Sahar Vatanz
United Kingdom
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Nothing you see in my photographs exists, yet none of it is fake.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
I don’t freeze time, I stretch it. I transform what’s in front of me using long exposure and intentional camera movement (ICM), working entirely in-camera to manipulate light, motion, and perception.
My images fracture, distort, and reveal what the eye alone cannot see. Inspired by painting, I aim to create photographs that feel like brushstrokes, layered with depth and emotion. There’s no digital manipulation, no AI, only the raw act of creation through the lens. For me, long exposure is not just a technique; it’s a way of seeing, of surrendering control, and embracing imperfection. My work lives in the space between painting and photography, where reality shifts, and images are not just seen, but felt.
Sahar Vatanz
focus, I am right here
$550
