Customers rate Singulart 4.9/5
Singulart is rated 4.9/5 by over 20,000 customers
Sal Picascia
Italy
Artist highlights
- Featured in gallery curations
- Works on commission
Artwork details
- Medium : Wood Without Stand
- Dimensions : Length: 23.6in, Height: 27.6in, Depth: 7.9in
About this artwork
Deconstruction and material stratification. Angular modules between order and chaos, digital morphogenesis and the poetics of fragmentation. Seriality and overlapping surfaces, a quest for dynamic and volumetric spatiality, architecture simultaneously solid and elusive.
A Geometry of Limits, a Poetics of Fragmentation of Three-Dimensional Structures. Deconstruction and Stratification as a code for deciphering the language of Disorder.
These are… not objects, but processes of visual metaphors.
Through material fragmentation, the artist attempts to emphasize that truth or beauty lies not in completeness, but in interruptions, margins, and the unresolved tension between digital perfection and the tactile imperfection of the physical world. These are architectures of the limit, existing on the threshold between being and non-being, between mathematical formula and the material whim of natural chaos.
A Geometry of Limits, a Poetics of Fragmentation of Three-Dimensional Structures. Deconstruction and Stratification as a code for deciphering the language of Disorder.
These are… not objects, but processes of visual metaphors.
Through material fragmentation, the artist attempts to emphasize that truth or beauty lies not in completeness, but in interruptions, margins, and the unresolved tension between digital perfection and the tactile imperfection of the physical world. These are architectures of the limit, existing on the threshold between being and non-being, between mathematical formula and the material whim of natural chaos.
Sal Picascia
Italy
Credentials
- Featured in gallery curations
- Works on commission
Sal Picascia, with a background in architecture and interior design, expresses himself through painting, sculpture, digital art, and assemblages, often using found materials and unconventional media. His technique blends formal rigor and material experimentation, alternating precise lines with chaotic interruptions, and he contrasts luxury materials with discarded materials to reflect on the dynamics of consumption. His works evoke a profound urban solitude and prompt critical reflection on individual identity in today's liquid and hyper-designed society.
