"No hay distancia"
Wood, Silver
65x35x5in
$9,700
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Salva Nebot
Spain
Artist highlights
- Group shows participant
- International Exposure
- Prizewinner
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Other artworks by Salva Nebot
Artwork details
- Medium : Wood, Silver Without Stand
- Dimensions : Length: 88.6in, Height: 78.7in, Depth: 2.8in
About this artwork
I made this work, on the topic of non-return, a rule that prevents returning an individual to a territory in which their life or freedom is in danger. The term non-refoulement, or non-refoulement, derives from the French term refouler, which means “to push back, to make people retreat.”
It is part of the series Fragments of Absence, a series about emigration, human rights, etc.
The fact of using photographic emulsion on wood, I think, has an intense… expressive charge, since wood is also a living element, in which the passage of time and the damage endured are reflected.
It is part of the series Fragments of Absence, a series about emigration, human rights, etc.
The fact of using photographic emulsion on wood, I think, has an intense… expressive charge, since wood is also a living element, in which the passage of time and the damage endured are reflected.
Salva Nebot
Spain
Credentials
- Group shows participant
- International Exposure
- Prizewinner
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Salva Nebot (Spain) is a multidisciplinary artist whose work has been exhibited in international institutions, galleries, and art fairs. His practice encompasses photography, painting, sculpture, and digital art, shaping a language that moves away from literal representation to explore subjective interpretation and the conceptual dimension. Influenced by the sensibility of German Expressionism, he articulates a critical reflection on perception, memory, and human experience. His work is characterized by formal rigor, the intense use of chiaroscuro, chromatic asceticism, and narrative fragmentation. Through light, shadow, and the superimposition of layers, he activates spaces of ambiguity and poetic density. His research addresses memory, absence, and oblivion, inviting the viewer to an interpretive threshold where the visible coexists with the latent.
