Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
"The Disposables, American Trash and Killer" is a free standing painted, primed, corrugated Tri-Wall cardboard installation work. The work and it's many parts sit on the floor and leans up against the wall. The visceral image of a homeless man sleeping on the floor against the wall in the corner of a room, is surrounded by pop painted images of typical fast food street trash and the photorealistic image of a hand gun leans up against the wall. …
The intent here is to bring the landscape of the homeless inside to the art exhibition space. Seeing a homeless person in public, on the street or in a doorway, generally initiates repulsion or sadness. Bringing a representation of this experience into the gallery space, is hopefully a reminder that social needs are not being met, and are not disappearing even if one walks away from it. Placing this within the context of the appreciation of esthetics, creativity and enlightenment, points out many hypocrisies of contemporary life.
Sandy Sanders, born and raised in San Francisco and trained at the Art Center College of Design and Otis Art Institute in Los Angeles, is a multi-disciplinary artist who blends painting, photography, printmaking, sculpture, digital media and installation works. His mixed media works and installations, conceptual appropriateness, and a gritty street-smart aesthetic, explore themes of social connectedness, abstraction vs. representation/realism, as seen through the lens of visual object making. He seeks to immerse viewers in thought-provoking, mysterious, and contemplative experiences—inviting respite from a hectic post-modern world, or engagement with important social issues of the day.