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In machining, a sacrificial piece is a piece of wood, metal, or stone used for protection and which bears the marks of its use. Here, on the stone, this protective piece becomes the subject: it receives and reveals a network of cuts, an orthogonal pattern that tells the story of the silent dialogue between the material and the tool.
Simon Deppierraz works in sculpture, installation, drawing, and printing, drawing on a background in his training at ECAL, where he directed the lithography workshop. He experiments with stone, metal, wood, and rope, seeking balance and tension between opposing forces, mastering each step of the process to maintain a rare autonomy. His style, conceptual and technical, dialogues with architecture and space, transforming the viewer's perception. He conveys the vertigo, fragility, and invisible energy of the world, inviting everyone to experience the poetry of matter and gesture.