Other artworks by Sof - Sophie Voigt-Chadeyron
Artwork details
- Medium : Acrylic, Objects With Stand
- Dimensions : Length: 19.7in, Height: 27.6in, Depth: 7.1in
About this artwork
An old wooden toolbox supports the head of a young woman with white hair. This is crowned with a rusty support indicating whether the restaurant table is already reserved by "normal" customers or if it is assigned to "regular" customers. Priority, the latter generally always have the same place in their favorite room. Most often it is men who have this kind of tradition... young or older customers, in both cases, the woman welcoming them has a pretty…
and young face.
Sof - Sophie Voigt-Chadeyron
Germany
Credentials
- Established Artist
- Solo shows participant
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« Le sens du sens Je sens que c'est sans sens cherchez un sens au sens sens inverse sens unique je sens tu sens ca pique ca fait pas d' mal on l'sent Le sens? On fait bien sans! »
Searching for meaning, in all directions.
"Perhaps I will be satisfied the day I have come full circle within myself."
I'm not there yet.
My work progresses in several directions at once. Painting, upcycling — the mediums matter less than what they allow me to move.
It deals with meaning: what is perceived, what is sought, what sometimes escapes us.
To see, not to see. To feel — sometimes too much, sometimes not enough.
Too much meaning. Or not enough. So I'm still searching.
I'm less interested in controlling than in holding things together: techniques, tensions, contradictions. Accidents aren't considered mistakes—at worst, they're discreet collaborators.
Some days, everything seems empty. Other days, everything overflows. In between, I work.
Over time, it eventually took on a simple form:
"in alle Richtungen".
In all directions — to continue searching for meaning, without ever wanting to fix it.
Sof
"Perhaps I will be satisfied the day I have come full circle within myself."
I'm not there yet.
My work progresses in several directions at once. Painting, upcycling — the mediums matter less than what they allow me to move.
It deals with meaning: what is perceived, what is sought, what sometimes escapes us.
To see, not to see. To feel — sometimes too much, sometimes not enough.
Too much meaning. Or not enough. So I'm still searching.
I'm less interested in controlling than in holding things together: techniques, tensions, contradictions. Accidents aren't considered mistakes—at worst, they're discreet collaborators.
Some days, everything seems empty. Other days, everything overflows. In between, I work.
Over time, it eventually took on a simple form:
"in alle Richtungen".
In all directions — to continue searching for meaning, without ever wanting to fix it.
Sof