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This photograph was taken on a Sunday at the Royal Palace in Seoul. I was struck by the stillness of the two women as they crossed the threshold together, momentarily detached from the surrounding flow of visitors. What moved me most was the sense of continuity, the quiet presence of tradition carried through gesture, clothing, and movement.
As usual I did not intervene or direct the scene. I waited for their movement to align with the architecture… and the light. What interests me here is the sensation of suspension, a moment where time seems to slow down, and gesture becomes ritual. The image reflects my ongoing attention to quiet transitions, where presence emerges through balance, repetition, and silence.
Sonia Costa is an Italian photographer whose authorial practice is shaped by a background in Geography and a life spent traveling through remote regions of the world. Her work explores the quiet dignity of people and places far from the spotlight, where everyday life unfolds without spectacle. Inspired by 20th-century humanist photography, she works between documentary and photojournalism, developing long-term, series-based projects grounded in time, observation, and human connection. Approaching her subjects with patience and respect, she uses the camera as a tool of presence rather than intrusion. Working in both black and white and color, she focuses on subtle gestures that reveal emotional depth, inviting a slower, more attentive way of looking. Internationally awarded, her photographs have been published in books and magazines and exhibited in solo shows in Italy and in collective exhibitions in the United States, Spain, Italy, Greece and Japan.
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Stepping out of time
Sonia Costa
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