Every fiber of my body #2
Digital on Synthetic board
24x24in
$780
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Stefan Eisele
Germany
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325 pieces
Artist highlights
- Works on commission
Discover the creation in interiors
Other artworks by Stefan Eisele
Artwork details
- Medium : Digital on Synthetic board , Alu-Dibond
- Framing : Framing on request
- Dimensions : 39.4x39.4in
- Edition : 3 / 10
- Artist's proof : 1
- Hors commerce : 1
About this artwork
In my artwork, geometric shapes and surrealist visions merge into a dynamic composition. I used digital techniques to create a flowing, almost living texture that takes the viewer to another world. The wood-like structures form waves and swirls that symbolize both the power of nature and the unpredictability of human emotions. It invites you to immerse yourself in a peaceful, yet moving scene and be inspired by the depth of the details.
Important:… The preparation of the Alu-Dibond prints takes up to 10 days.
Important:… The preparation of the Alu-Dibond prints takes up to 10 days.
Stefan Eisele
Germany
Credentials
- Works on commission
Algorithms strive for perfection. I strive for its flaws. More precisely: rust, erosion, the weight of material – rendered by a machine that has never touched a surface. My studies in industrial design have taught me how materials behave: how steel weathers, how paint cracks, and how surfaces bear the marks of use. I use this knowledge to push generative AI where it doesn't want to go – towards the rough, the heavy, the tangible.
Specifically, my work exists between digital precision and physical decay. During the process, each image undergoes dozens of iterations, manual corrections, and conscious decisions about what remains raw and what is refined. But the machine repeatedly produces smooth surfaces—so I push it toward friction. The result lies somewhere in between: a clean calculation that still reveals the material's resistance.
Specifically, my work exists between digital precision and physical decay. During the process, each image undergoes dozens of iterations, manual corrections, and conscious decisions about what remains raw and what is refined. But the machine repeatedly produces smooth surfaces—so I push it toward friction. The result lies somewhere in between: a clean calculation that still reveals the material's resistance.
Stefan Eisele
The billowing room I
$1,710
