Discover the creation in interiors
Artwork details
- Medium : Acrylic on Canvas
- Other details : Unmounted artwork. Mounting and/or framing available on request.
- Dimensions : 24x24in
About this artwork
The paintings in this series are the product of the previous "Poles" series. What had begun as single panel pieces, evolved to have two panels and, ultimately three. The two-panel pieces consist of a long, horizontal panel and a square panel, and the last several have a third, diamond-shaped panel. These "IMPS" are a refining of the basic principles I used in those diamond-shaped panels. They are also an exploration of mixing color optically,…
that is, without physically admixing the component colors. There are twenty-four variations of the color relationships used and I intend to paint them all. I have several to go. Stay tuned.
The raw edges are just a "truth in advertising" thing. No matter how masterfully a painting might have been executed, no matter what it represents or suggests, it is, in the final analysis, just a group of lines, shapes, values, and colors arranged on a flat surface. In this instance, that surface is canvas, so there it is.
The raw edges are just a "truth in advertising" thing. No matter how masterfully a painting might have been executed, no matter what it represents or suggests, it is, in the final analysis, just a group of lines, shapes, values, and colors arranged on a flat surface. In this instance, that surface is canvas, so there it is.
Stephen Mauldin
United States
Credentials
- Experienced Artist
« The artist doesn’t paint what he sees, he paints what he wants the viewer to see. »
Stephen Mauldin is an American artist whose paintings have been widely exhibited in the United States. Throughout the years, he has made it a habit to play with paint, in order to learn more about what it is both capable of and not capable of doing. This experimentation lead Mauldin to invent techniques involving painting on glass and transferring that paint to canvas, modifying syringes to produce webbed compositions, and, most recently, to sling small quantities of paint onto canvas at high speed. The defining characteristic of marks made in this manner is electric energy, however, the incredibly fine nature of the mark is also striking.