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Other details :
Artwork on wood. Ready to hang. Framing on request.
Dimensions :
23.6x23.6in
About this artwork
The serious use of magnified, melodramatic lips as the subject of paintings probably erupted with the pop art scene of the late 50s and 60s. Warhol used them for his cover of 'Andy Warhol’s Velvet Underground Featuring Nico' compilation album of 1971; Tom Wesselmann had an obsession with depicting disembodied lips in any manner of suggestive poses; and, of course, probably the most famous rock logo ever is third year art student John Pasche’s Hot… Lips logo for the 1970 Rolling Stones European Tour, and which also figured on the inside cover of their album Sticky Fingers. But why lips and not...er...thumbs, elbows, ears or kneecaps? Eyes - the windows to our soul - possess more appeal than noses or big toes but a large pouting pair of soft, voluptuous lips are probably the most sensuous, suggestive part of the body to paint, even outranking the naughty bits of a nude. Lips take the biscuit. So to speak.
« MODERN ART = I COULD DO THAT + YEAH BUT YOU DIDN'T. -Craig Damrauer »
Steve White, a painter based in the Netherlands, has extensively exhibited his works nationally, as well as in the United Kingdom. While he appreciates that art can stir emotions and have great meaning for people, he has a more practical approach to creation. For example, one of the tests he does for his own works is simple - he asks himself, "Would this look good over someone's sofa?". White's abstract realist compositions also combine elements of minimalism.
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Lipstick in the Mirror
Steve White
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