Discover the creation in interiors
Artwork details
- Medium : Acrylic, Pencil on Wood
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 9.8x5.9in
About this artwork
PLEASE NOTE THE ARTWORK DOES NOT HAVE A WHITE SQUARE BEHIND IT AS SHOWN (above left) IN THE IMAGE OF THE ARTWORK IN A ROOM.
My long standing interest in landscape and architecture have always inspired me. Vernacular buildings, both rural and urban, domestic and functional, have found a place in my work for some time, no doubt also informed by time as an architectural technician. I am particular drawn to the triangular form of the gable ends of buildings,… whether they be simple sheds, northern terraces, suburban 1960’s bungalows, barns or industrial warehouses.
9mm thick lasercut plywood, acrylic painted and gold coloured gilded wall sculpture, with lines engraved into the surface.
Ply spacers on the back create floating effect and shadow.
Ready to hang.
My long standing interest in landscape and architecture have always inspired me. Vernacular buildings, both rural and urban, domestic and functional, have found a place in my work for some time, no doubt also informed by time as an architectural technician. I am particular drawn to the triangular form of the gable ends of buildings,… whether they be simple sheds, northern terraces, suburban 1960’s bungalows, barns or industrial warehouses.
9mm thick lasercut plywood, acrylic painted and gold coloured gilded wall sculpture, with lines engraved into the surface.
Ply spacers on the back create floating effect and shadow.
Ready to hang.
Susan Laughton
United Kingdom
Credentials
- Art Fair Participant
- Prizewinner
- Residency Participant
- Works on commission
« My art is a search for my own language of marks, signs and symbols to bring order, balance and control to an often chaotic visual world. »
Susan Laughton is a passionate British painter whose works have featured in prizes and exhibitions across the UK. She enjoyed a 12-year career in architecture before transitioning into fine art, and today composes works that act as combinations of observed and imagined topographical structures. She balances influences from and elements of both the urban and rural, the natural and man-made; in a process of both structure and spontaneity.