Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Harmonies of essences are contained in an undefined space. Precious and mysterious liquids contained in solid geometric shapes, their volume negated and suspended in an undefinable space. Each bottle is different: shape, colors, decorations, way of receiving light. Combinations of complementary scents and colors, luminescences and reflections: all like a kaleidoscope. Like our humanity.
The use of acrylic and resin lends depth and brilliance, as… if each element emerged from a surreal dream. It's an invitation to immerse yourself in the abyss of emotions, allowing art to bring energy and mystery into your home.
Susanna Gatto, a Venetian painter, trained at an art school and studied fabric, glass, and watercolor, honing her mastery of color. Her works are distinguished by intense symbolism and surreal lyricism, using a technique that places color at the center of attention. The color choice isn't decorative. It's deliberate, sharp, radical. Red pulsates. Blue retreats. Black whispers. Each hue is a critical gesture, an act of subtraction or revelation. It is painting as a political act of feeling. The work does not propose, but questions. It does not show, but invokes. And whoever looks does not remain a spectator, but enters into play as a sensitive and disarmed body. It's no longer a matter of understanding. It's a matter of feeling precisely.