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Sven Schilling
Germany
Related collection
Artworks Inspired by George Platt Lynes
478 pieces
Artist highlights
- Major permanent collection
- International Exposure
- Works on commission
Artwork details
- Medium : Wood, Leather Without Stand
- Dimensions : Length: 33.5in, Height: 31.5in, Depth: 22.4in
About this artwork
The classification into a genre is the simplest, obviously the 3-dimensional structures, so it has nothing to do with painting, it is something that has to do with sculpture, but, and that's why your things are here in the collection, in a highly independent way, nobody else makes such sculptures, not even close. This means
You have fulfilled a basic requirement, namely that of originality, in the sense that no one else does the same, and that is… why your objects are important and not because they copy Giacometti, for example, or are in the footsteps of Rodin or some famous sculptor.
Rather, it is a genuine, original development that produces these strange, in the most positive sense strange, bizarre objects.
Franz Armin Morat
Morat Institute, Freiburg
You have fulfilled a basic requirement, namely that of originality, in the sense that no one else does the same, and that is… why your objects are important and not because they copy Giacometti, for example, or are in the footsteps of Rodin or some famous sculptor.
Rather, it is a genuine, original development that produces these strange, in the most positive sense strange, bizarre objects.
Franz Armin Morat
Morat Institute, Freiburg
Sven Schilling
Germany
Credentials
- Major permanent collection
- International Exposure
- Works on commission
« I am an artist who works innovatively and unconventionally with familiar natural materials. Rough and delicate, nature is the teacher! Sensual art that touches. »
Sven Schilling is a German sculptor whose works explore the connection between man and nature, the integration of man into the cosmos as it is formulated in anthroposophy. His compositions are exclusively created using oak, iron, and leather because he is fascinated by their feel. Also, Schilling prefers these materials as they have significance in the history of craftsmanship as well as in religions and myths.
