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In this collage, I explore masculinity as a historical trigger for war – and simultaneously the search for a new, peaceful male identity. The figure stands in a fragmented urban landscape marked by rearmament, destruction, and social tension. He embodies a man in transition: caught between traditional power structures and the attempt to break free from them.
The word "loading..." refers to an internal and external charging process. While systems… are rearming, a different kind of charging begins within the individual – the struggle for a new stance, for vulnerability, responsibility, and the capacity for dialogue. War appears here not only as a political or military event, but also as a consequence of outdated role models.
Through fragmentation and layering, I translate this conflict into a visual language. Fragmented being, for me, describes the state of a man who wants to reinvent himself in a militarized world.
My work moves between an intuitive process and a clearly defined conceptual framework.
In the Zenpolychromos series, I explore color as an energetic field in which feeling, consciousness, and structure merge. Color determines the rhythm of my painting; its energy opens a space between movement and stillness. Through layering, fragmentation, and gestural placements, a dialogue emerges between presence and emotion. Each work is an act of listening—a process in which color becomes vibration and perception translates into form.
In the collage series Fragmented Being, I explore identity as something incomplete. Figures, urban spaces, and pictorial elements are detached from their original context and reassembled. I understand the fragment not as a loss, but as a space of possibility in which perception, memory, and inner experience overlap.