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The protagonist moves between visibility and disappearance, between individual and mass.
Behind her rises the city – monumental, austere, characterized by order and distance. In front of her, the crowd condenses into an anonymous mass, uniform and overwhelming.
The young woman stands out, yet remains part of the whole. Her gaze is turned inward, calm and thoughtful. She seems not to be reacting to external movements, but rather following an inner… process.
Grey zone describes not a place, but a state.
A space of in-betweenness, where identity is not fixed but changes.
Uncertainty is allowed to exist here.
This is where development happens.
My work moves between an intuitive process and a clearly defined conceptual framework.
In the Zenpolychromos series, I explore color as an energetic field in which feeling, consciousness, and structure merge. Color determines the rhythm of my painting; its energy opens a space between movement and stillness. Through layering, fragmentation, and gestural placements, a dialogue emerges between presence and emotion. Each work is an act of listening—a process in which color becomes vibration and perception translates into form.
In the collage series Fragmented Being, I explore identity as something incomplete. Figures, urban spaces, and pictorial elements are detached from their original context and reassembled. I understand the fragment not as a loss, but as a space of possibility in which perception, memory, and inner experience overlap.